As
I record memories from my life, I face a dilemma. If I decide to rework the
manuscript for publication, the dilemma will get worse. Should I tell the
truth, the whole truth, and nothing but the truth, or should I gloss over situations
and events that may embarrass others? Unfortunately, this is a dilemma that
everyone who writes a memoir must struggle with.
I’m
not talking about making stuff up or leaving out details that would mislead the
reader—both of which I believe are unethical in nonfiction. It’s more a
question of blurring identity—changing names (or not using them at all) to
protect the innocent and the guilty.
The
problem is that it doesn’t always work.
In
the photo at the head of this post, my husband is pretending to have been
caught by the East German border guards. Roland’s face is hidden, but his body
shape and white hair are familiar to anyone who knows him well. In the same
way, I could try to make people anonymous by leaving out their names, but
unless I bend the truth, which I believe is unethical in a memoir, people who
know them will recognize them from the circumstances.
I
attended a memoir-writing workshop several years back with a presenter who had painted
a very unflattering picture of the people in her family. She knew they would be
hurt and the memoir might create a breach that would never heal. But she felt
the story needed to be told, and she was willing to risk the hurt and the
breach to tell it. That was her response to a personal question we all must
decide for ourselves.
I’m
not worried about my own family, but I have had situations in my life where co-workers
and so-called friends did things they would not like to see in print. If I prepare
my memoir for publication, I’ll have to decide how important those incidents
are to the theme. If they aren’t necessary, I’ll leave them out. But if they
are, then changing names or using none at all might be the only option that
feels right.
But
it’s a dilemma.
__________
I
took the photo in 2016 when we were visiting the Berlin Wall.
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