Showing posts with label Janine Harrison. Show all posts
Showing posts with label Janine Harrison. Show all posts

Poetry and Fantasy--Two Book Releases

Monday, September 30, 2019


I don’t normally use this blog to promote new releases. I’m making the exception for several reasons. Part of it is that you don’t usually see spouses publishing separate books at around the same time. Additionally, the authors are my friends, although I wouldn’t do it for that reason alone. Mostly, I’m doing it because the proceeds from Janine’s book are going to a good cause, and because Mike deserves to be recognized for his first attempt at middle-grade fiction.

Weight of Silence (WordPool Press, 2019) is a poetry collection based on Janine Harrison’s volunteer experiences in Haiti in 2012 and 2017. All of her profits go to the not-for-profit organization Haitian Connection, which assists Haitians—and especially women and children—in need.

Janine’s collection is part personal experience, part history lesson, part cultural reality, and all advocacy for the underpriviledged people of Haiti. Much is lost without the context given by a full poem, and it is impossible to do justice to any of them by quoting a single stanza. Still, I will try my best to give you the flavor of the book. You will have to buy it to get the broader context.

The first example is a verse from a poem called “Izole Chen” (stray dog). In this selection, Janine uses the many homeless dogs that roam the country to give her perspective on Haiti’s politican situation.

Whether in the rural west
or Port-au-Prince,
after darkness descends
packs of dogs become
phantasms of corrupt governments
and revolutionaries,
of armies and
ravaged innocents,
growling both as
predator and prey,
within a slate gray history.
A last yowl
punctures the late night
and I, who lie awake,
mourn a starving brown dog.

The second example comes from Janine’s experience trying to teach English language lessons during Hurricane Sandy. The guest house mentioned in this poem is where Janine, her husband, and her daughter were staying at the time. Titled “Pierre,” the poem pays homage to one student’s dedication to learning even in the most difficult circumstances. It begins with a brief picture of Pierre’s eagerness and then describes the hurricane’s effect on classes during Tuesday and Wednesday. This verse is next:

No class Thursday
anywhere across the country.
Two Haitian teachers and the dean
drove away on Wednesday,
to check on a grandmother
in a local fishing villiage
and have not returned.
A visiting teacher loses roofs
on his family’s home and business
in Cuba and stops smiling—
no airplane to take him home.
Everything in the shabby-chic
Bourbon Street-style guest house
verges on liquifying.
Every odor the old abode
ever imbued resumes.
Electricity at night by generator.
No water for showers.
We host class unoffically
at the guesthouse.
Six students come,
Pierre one,
his homework done and dry.

Life in Haiti can be dark, and many of Janine’s poems reflect that. Since I don’t know who might be reading this blog, I have chosen not to quote the most disturbing ones, but they have their place in this collection, too.

You will learn a lot about Haiti by reading this book. Janine even teaches us about the country’s most notorious leaders by putting a poem’s words in their mouths. But you will have to buy the book to read it.

Two Girls, a Clock, and a Crooked House (Random House Books for Young Readers, 2019) is Michael Poore’s third book but the first one that I would let a tweenager read. The other two are humorous, irreverant, and clearly aimed at adults. His third is also humorous and sometimes irreverant but fits solidly within the middle grade category.

Mike’s book tells of two girls whose travels back in time resolve a problem occuring in the present. Beyond calling it humorous fantasy, it is hard to classify. I could try to compare Mike with Lemony Snicket or Adam Gidwitz, but the comparison would be misleading because Mike has a style all his own. Still, if you like those authors’ voices, you will like Mike’s, too.

Like most books, Two Girls, a Clock, and a Crooked House isn’t perfect. One of the girls is nicknamed “Moo,” and at one point we discover what made her the way she is. I found that event too serious to fit with the lighter tone of the book. I also got confused when Amy and Moo discarded their filthy clothes at the school nurse’s office but somehow retained their hoodies. A bit more detail and explanation during that scene would have smoothed out some bumps later on.

In spite of a few imperfections, Two Girls, A Clock, and a Crooked House is an entertaining read. I recommend it to anyone—adult as well as middle-grade—who enjoys humorous fantasy written for this age group.

__________

Weight of Silence and Two Girls, A Clock, and a Crooked House are available at amazon.com.

To Publish or Not to Publish?

Monday, July 1, 2019


I’ve been recording my memories in an informal memoir written with my children as the intended audience, I recognize that my life hasn’t been as hard or as tragic as the ones chronicled in some of my favorite memoirs, but it has been interesting. I took my first trip across the Atlantic when I was six and my family travelled to Amman, Jordan to spend the school year. Four years later, we lived in Edinburgh, Scotland, for most of a year. Although living abroad isn’t as unusual as it was in the 1950s and 1960s, it’s still not a common childhood experience. And living with my father was exciting in other ways, as well.

The question is, should I use the “get-it-all-down” manuscript as source material for a memoir aimed at a wider audience? If I do, I will need to choose a theme, develop a structure, and decide which memories and events to use, since much of what I am recording for my children wouldn’t interest people who don’t know me. Writing a memoir for publication would be a far more difficult project than simply recording my memories for my children.

Fortunately, there is help at hand. I learn best by example, and I have read many good memoirs over the years. My favorite is The Glass Castle by Jeannette Walls. Then there is Farewell to Manzanar by Jeanne Wakatsuki Houston & James D. Houston, which inspired my first middle-grade historical novel, and The Hiding Place by Corrie Ten Boom, which goes beyond The Diary of Anne Frank in providing insight into the horrors invoked by the Nazi invasion of the Netherlands.

I’m also grateful for the help provided by my good friend and writing colleague, Janine Harrison, in an October 26, 2017 post she did for the Indiana Writers’ Consortium blog. If you are interested in writing a memoir, check it out at http://indiana-writers-consortium.blogspot.com/2016/10/the-space-between-giving-voice-to-real.html.

At this point, the most important task is to make a record of my life in case something happens to my memory.

But I’m not ruling out a formal memoir.

__________

Daddy took the picture at the head of this post in September, 1957. Mama, my brothers, and I are posing in our cabin on the HMS Nova Scotia as we crossed the Atlantic Ocean.