Showing posts with label Michael Poore. Show all posts
Showing posts with label Michael Poore. Show all posts

Poetry and Fantasy--Two Book Releases

Monday, September 30, 2019


I don’t normally use this blog to promote new releases. I’m making the exception for several reasons. Part of it is that you don’t usually see spouses publishing separate books at around the same time. Additionally, the authors are my friends, although I wouldn’t do it for that reason alone. Mostly, I’m doing it because the proceeds from Janine’s book are going to a good cause, and because Mike deserves to be recognized for his first attempt at middle-grade fiction.

Weight of Silence (WordPool Press, 2019) is a poetry collection based on Janine Harrison’s volunteer experiences in Haiti in 2012 and 2017. All of her profits go to the not-for-profit organization Haitian Connection, which assists Haitians—and especially women and children—in need.

Janine’s collection is part personal experience, part history lesson, part cultural reality, and all advocacy for the underpriviledged people of Haiti. Much is lost without the context given by a full poem, and it is impossible to do justice to any of them by quoting a single stanza. Still, I will try my best to give you the flavor of the book. You will have to buy it to get the broader context.

The first example is a verse from a poem called “Izole Chen” (stray dog). In this selection, Janine uses the many homeless dogs that roam the country to give her perspective on Haiti’s politican situation.

Whether in the rural west
or Port-au-Prince,
after darkness descends
packs of dogs become
phantasms of corrupt governments
and revolutionaries,
of armies and
ravaged innocents,
growling both as
predator and prey,
within a slate gray history.
A last yowl
punctures the late night
and I, who lie awake,
mourn a starving brown dog.

The second example comes from Janine’s experience trying to teach English language lessons during Hurricane Sandy. The guest house mentioned in this poem is where Janine, her husband, and her daughter were staying at the time. Titled “Pierre,” the poem pays homage to one student’s dedication to learning even in the most difficult circumstances. It begins with a brief picture of Pierre’s eagerness and then describes the hurricane’s effect on classes during Tuesday and Wednesday. This verse is next:

No class Thursday
anywhere across the country.
Two Haitian teachers and the dean
drove away on Wednesday,
to check on a grandmother
in a local fishing villiage
and have not returned.
A visiting teacher loses roofs
on his family’s home and business
in Cuba and stops smiling—
no airplane to take him home.
Everything in the shabby-chic
Bourbon Street-style guest house
verges on liquifying.
Every odor the old abode
ever imbued resumes.
Electricity at night by generator.
No water for showers.
We host class unoffically
at the guesthouse.
Six students come,
Pierre one,
his homework done and dry.

Life in Haiti can be dark, and many of Janine’s poems reflect that. Since I don’t know who might be reading this blog, I have chosen not to quote the most disturbing ones, but they have their place in this collection, too.

You will learn a lot about Haiti by reading this book. Janine even teaches us about the country’s most notorious leaders by putting a poem’s words in their mouths. But you will have to buy the book to read it.

Two Girls, a Clock, and a Crooked House (Random House Books for Young Readers, 2019) is Michael Poore’s third book but the first one that I would let a tweenager read. The other two are humorous, irreverant, and clearly aimed at adults. His third is also humorous and sometimes irreverant but fits solidly within the middle grade category.

Mike’s book tells of two girls whose travels back in time resolve a problem occuring in the present. Beyond calling it humorous fantasy, it is hard to classify. I could try to compare Mike with Lemony Snicket or Adam Gidwitz, but the comparison would be misleading because Mike has a style all his own. Still, if you like those authors’ voices, you will like Mike’s, too.

Like most books, Two Girls, a Clock, and a Crooked House isn’t perfect. One of the girls is nicknamed “Moo,” and at one point we discover what made her the way she is. I found that event too serious to fit with the lighter tone of the book. I also got confused when Amy and Moo discarded their filthy clothes at the school nurse’s office but somehow retained their hoodies. A bit more detail and explanation during that scene would have smoothed out some bumps later on.

In spite of a few imperfections, Two Girls, A Clock, and a Crooked House is an entertaining read. I recommend it to anyone—adult as well as middle-grade—who enjoys humorous fantasy written for this age group.

__________

Weight of Silence and Two Girls, A Clock, and a Crooked House are available at amazon.com.

Is That a Flaw I See?

Monday, October 12, 2015


I spent a nervous Thursday and Friday waiting for UPS to deliver copies of In God We Trust so that I could sell them Saturday and Sunday at book sales events connected to a writers’ conference. I didn’t relax until they arrived at mid-day on Friday.

After they arrived, I inspected them. It was the first time I had seen the book in hard copy, and it looks great. Then I took a closer look at the picture on the front, which I took in Wisconsin in 2010, and my heart sank.

Looking above the chimney on the right-hand side of the picture, I saw a thin line. I must have had a hair on the lens when I took the picture, and I hadn’t noticed it before. There was nothing I could do about it for these first thirty copies, but I decided that as soon as I had time I would remove it from the picture and redo the cover. And once I saw the blemish, I couldn’t unsee it.

At the mass book signing on Sunday, I sat next to a friend and fellow author, Michael Poore. He complimented me on the cover and the photo, so I pointed out the flaw.

Then he did what I should have done myself. He took an even closer look. Where I saw a hair on the lens, he saw a bare branch hanging from a tree. But I couldn’t give up on the idea that I had used a dirty lens, so I noticed and pointed out the dot you can see farther up on the right, just below where the tree branches cross the steeple. Mike said it looked like a single leaf hanging from another branch.

When I got home and enlarged the original on the screen, I discovered that Mike was 75% correct and I was 100% wrong. What I thought was a hair is indeed a branch. The dot is not a leaf but is something (probably a light fixture) attached to the steeple by a long metal rod. But neither of them are flaws in the picture, and neither are my fault.

It’s so easy to see what we think are flaws when they are just part of the scene. I may be convinced that I received a rejection letter because my story isn’t good enough. Or you may think you missed out on that job opportunity because you blew the interview. But maybe the story just wasn’t a good fit for that particular magazine and God has a better job in mind for you. Sometimes we just need to trust and move on.

But now I have a different dilemma. Should I try to brush the branch and the light fixture out of the photo so that others don’t see them as flaws and think I messed up? Or should I trust my readers to view the picture with Mike’s more discerning eyes?

What do you think?

Writers in Wonderland

Monday, April 29, 2013


How can writers avoid a Lewis Carroll Wonderland of defamation lawsuits, plagiarism scandals, and IRS proceedings?

By reading my book.

Writers in Wonderland: Keeping Your Words Legal (KP/PK Publishing 2013) is coming out May 1, and it's time for some shameless promotion.

Many writers see the law as a Lewis Carroll fantasy--inside out and totally illogical. They would rather write than worry about legal issues. But authors who ignore the law are the real residents of Wonderland.

Michael Poore, author of Up Jumps the Devil, says:

Kathryn Page Camp's Writers in Wonderland isn't just informative and wise, it is FUN! A big part of writing is learning how to cause trouble without getting into trouble, and this book is an easy course for accomplishing that. You can read it straight through, or keep it on hand as a reference tool. Either way, you'll find what you need to know in here. You will find it easily, it will make sense, and the reading will be a pleasure. Finally, a lawyer who can be helpful without making us want to scream.
Writers in Wonderland was written for writers, not lawyers. It uses everyday language and shares cases with interesting facts to explain the basic legal principles of interest to writers. These include copyrights and defamation and book contracts.

Here is some information:
ISBN: 978-0-9892504-1-2
Available May 1 at Amazon.com, coming soon from other retailers.
So if you are a writer, join Lewis Carroll and his characters as they help you avoid the King and Queen of Hearts' courtroom. And if you know a writer or two, pass this information along.

Because lawsuits aren't nearly as much fun as this book is.