I just finished reading Story Trumps Structure by Steven James,
and I give the book a reluctant 3 out of 5. Or, if I can do halves, I’ll make
it 2.5.
The rating recognizes
that there is some helpful information in this book. Chapter 2 is a good primer
for writing openings, and the chapter on causality addresses problems that I
come across frequently when critiquing other writers. There were even several
places in the book where I stopped to make notes for revisions to my current
work in progress.
But Story Trumps Structure also has some serious flaws. The first is
the book’s mostly unwritten (but clearly implied) assumption that all writers
are alike.
James disdains outlines
and favors what he calls “organic writing.” He does give a brief nod to
outliners at the beginning of Chapter 8, where he admits that there are some
things outliners do well. But the nod turns into a shake of the head during the
questions and answers at the end of the chapter.
Q. “Are you saying
organic writing is best for everyone? Doesn’t it depend on the person?”
A. I wouldn’t feel
right suggesting that anyone approach writing a story in a way that I believe
is counterintuitive to the creative process. So yes to the first question, no
to the second.
I believe he has those
answers backwards.
James tends to preach in
this book, and his strongest sermon comes in Chapter 20, where he tells writers
that they need to stop writing to a theme or they will lose their readers.
Unfortunately, James doesn’t practice what he preaches. The chapter would be
almost funny if it weren’t so boring.
Worse yet, James fails to
follow through on the promise in the subtitle: “How to Write Unforgettable
Fiction by Breaking the Rules.” The entire book is a set of rules, each repeated
over and over and over and . . . You get the point.
Still, some writers may
find that Story Trumps Structure is
worth their time and money.
I’ll leave you to decide
whether you are one of them.
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