Our
Italian vacation took us to Venice, where master craftsmen create art with
glass for the medium. We stayed at the classic Hotel Giorgione, and the first
thing we saw upon entering was the huge chandelier that extends from the
ceiling almost to the floor. Garish, but very impressive. I guess art in any
medium is in the eye of the beholder.
We
took a walking tour in the morning and saw sights such as the Grand Canal, St.
Mark’s Cathedral, and the Bridge of Sighs. The bridge got that name because
prisoners sighed as they walked across it on their way to the dungeons, which
was basically a death sentence.
After
the local tour, we took a gondola ride and then returned to our hotel. But the
walk back didn’t turn our quite as we expected. Instead, we made a discovery
that turned out to be common among our tour group: Venice is an easy place to
get lost in.
Our
main tour guide had given us maps but told us they weren’t much use, and she
was right. She told us to follow the signs to Rialto, but that didn’t help
much, either, since those signs were few and far between. And when we were finally
able to follow them, they took us a round-about way that ended up in the same
spot we would have reached by going straight. Roland is convinced that the
signs were designed to lead us by certain shops or at least along the streets
with the most stores.
I
can’t resist a writing analogy here. Stories often take us out of our way. When
done for pacing or suspense, those detours lead us by the stores we want to visit.
But we have all read books that take us down deserted streets or ones with
uninteresting shops. A good writer knows the difference and resists the temptation
to use a detour that bores rather than enlightens.
We
did make it back to our hotel eventually, and we enjoyed our time in Venice.
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