Last week I went
to Ellis Island to research my next book, and what I learned changed the tale I
intended to tell. It didn’t alter the theme, but it did modify the plot.
Some background.
Many people were held in limbo on Ellis Island for days or weeks or even
months. Although many middle-grade readers have heard about Ellis Island, few
know that it became a temporary home to some immigrants, so that is the story I
wanted to tell. And it’s the story I will tell. Just not the way I had
originally considered doing it.
My original plot
idea was to have my protagonist’s younger sister fail the medical test for
entry into the U.S. because of red eyes. Trachoma was a guaranteed basis for
deportation, but they couldn’t always confirm the diagnosis immediately and
would hold people temporarily to see if their eye conditions cleared up. I was
going to have my protagonist stay with her sister during this observation
period since I assumed that would give the protagonist the ability to roam the
island.
I paid for a
hard-hat tour of the hospital area, and our tour guide was very helpful. But
one of the first things I learned was that family members weren’t allowed to
stay no matter how old the child was. So that idea was out. (Apparently young
children could stay if parents were detained, but not the other way around.) But
I also learned that measles was the most common contagious disease treated
there. So now my protagonist will be the person who is denied entry until she
recovers (or dies, which was another possibility at the time) from the measles.
She will be isolated from her family, which creates its own tension.
Fortunately, I
hadn’t fleshed out my plot or started writing the story, so the change is easy
enough to make at this point. In fact, the ideas are flowing, and I think this
plot will be better than my original one.
But it highlights
the perils of devising a plot before doing the research.
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