There are no hard core
rules for fiction—they can all be broken if the writer does it intentionally to
achieve a particular effect. But one of the stronger “suggestions” is that a protagonist
should grow during a novel by starting with a fatal flaw that the protagonist
overcomes by the end of the story. That’s not always the case, of course. James
Bond has no fatal flaw and no growth, and I find him incredibly boring. Indiana
Jones doesn’t grow through the course of the story, either, but he does start
with a fatal flaw—his fear of snakes—that is still there at the end, and he has
several other quirks that make him human and allow me to enjoy those movies.
But unlike those characters, each of my protagonists needs to start with a
fatal flaw and to overcome it by the end of the book.
So what’s the problem?
The first question is how
to incorporate the fatal flaw into the first chapter without making the
character so unlikeable that the reader gives up on the story too soon. I’ve
read many an Amazon review where the reviewer put the book down after the first
chapter because the protagonist was “too whiny” or “too selfish,” or something
similar. If that characteristic is the fatal flaw, then the reader missed the
point and the author allowed it. Sohow do I find the sweet spot that discloses
the fatal flaw without making the character unlikeable? The only way I know is
to write and revise and write and revise until my sixth sense—and my beta
readers—says I have achieved it.
The second problem is
finding the appropriate fatal flaw. When I started writing Lonely Rock,
I was convinced that Jessie’s fatal flaw would be valuing her friends more than
her family. But as I continue to write, that isn’t coming through. So now I’m
wondering if I chose poorly. I’m not sure this is the right spot to experiment
with a different fatal flaw, but I’ve made myself a note to work on it in the
next draft and maybe change Jessie’s fatal flaw to self-doubt and/or
fearfulness.
One thing is clear:
Jessie needs a fatal flaw that creates empathy rather than disgust.
And I’m determined to get
it right.
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