This Father’s Day week, I am remembering Daddy by reprinting a blog
post from September 8, 2014.
__________
“It is I”
Everything I know
about grammar I learned from my father. He was the original grammar nerd.
If I knocked on Daddy’s
study door and he asked, “Who is it?” I knew better than to say, “It’s me.” But
if I slipped up, he was sure to raise his voice and respond, “It is I.” It
wasn’t the contraction he objected to—it was the pronoun.
I also learned not
to start a request with the words, “Can I…” His response was always, “You can,
but may you?”
My mother believed
in using correct grammar, too, although she didn’t highlight our errors the way
Daddy did. I do, however, remember her displeasure with billboards that
proclaimed, “Winston tastes good like a cigarette should.” She didn’t approve
of smoking, but the use of “like” instead of “as” seemed to bother her even
more.
I must have picked
up some knowledge in school, too, so the statement at the top of this post
isn’t technically accurate. I should probably say, “Most of what I know about
grammar I learned from my parents.”
But I stand by the
way I said it.
When I was a
child, Daddy and Mama frowned on starting sentences with “but,” too. But
language is not static, and beginning a sentence with a conjunction is no
longer a major sin.
At least not with
most audiences. There are still some contexts—mainly academic—where formality
is expected. A good writer knows his or her audience and writes for it.
Even in less
formal contexts, writers should understand the rules. Many break them, as I did
by starting the last paragraph with a sentence fragment. But there are two ways
to break the rules. Unfortunately—or perhaps fortunately—only one of them
works.
Some writers break
the rules because they don’t know what they are. Since rules exist for a
purpose, these writers often come across as uneducated. Even worse, the primary
reason for grammar rules is to create clarity, so people who ignore them may
lose their readers in the morass.
Others know the
rules but break them intentionally in order to achieve a certain effect. That
sentence fragment is punchier and more in-your-face than if I had said, “Most
audiences no longer consider it a major sin to begin a sentence with a
conjunction.” And for fiction writers, sentence fragments can speed up the
action, especially in a thriller.
So what’s my
point? It’s okay to break the grammar rules to achieve a certain effect. But
you need to know them before you break them. Otherwise, your reader may not
make it through the story or the essay or even the blog post.
Or you may find my
father’s ghost standing before you and declaring, “It is I.”
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