As
I’ve mentioned before, diaries, journals, and other personal experience accounts
are my favorite research materials. I’ve found a number of journals documenting
the trip across the Isthmus of Panama on the way to the California gold fields in
the mid-1800s, but there’s a problem.
All
eight accounts were written by men who traveled without their families.
There
are enough references to assure me that women took the Isthmus route, too, but if
they kept diaries or wrote letters about the experience, I haven’t been able to
find them. That’s not really surprising since the vast majority of gold seekers
took the overland trails across the prairies and mountains of North America,
and the percentage of women and children traveling that route was much higher
than it was for the other two main routes, including the one across the
Isthmus. But women generally have a different perspective than men, so it would
be nice to hear their side of the story.
It
isn’t as much of a problem for me when writing the ocean part of the trip.
Ships varied, and those that carried passengers usually had separate sleeping
accommodations for women and families. So privacy probably wasn’t an issue.
It
was for the trip across the Isthmus, however. It’s amazing how similar the
experiences of the eight men were, sleeping crowded together in crude one-room
buildings—or in even more primitive conditions when the “hotels” were crowded
or unbearable. As far as I can tell, the women would have had to sleep right
alongside them, to turn away when the men relieved themselves, and to find
their own spot in the jungle—complete with snakes and fire ants—where they
wouldn’t be disturbed when they took care of their own needs. I’d love to know their
thoughts, but I can only infer them.
Unfortunately,
my protagonist has to live with those conditions. I can imagine how she would
feel, but I’d rather have confirmation from women who were there.
Still,
I’ll figure it out.
__________
The image at the top of
this post shows a painting called Crossing the Isthmus. A.D.O. Browere
painted it around 1858, and it is in the public domain in the United States
because of its age.
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