As
I’ve mentioned in past posts, some of the people who joined the California gold
rush took a route across the Isthmus of Panama. My current work-in-progress
follows that path.
Once
the gold seekers reached the eastern shore of Panama, the next leg of their
trip was up the Chagres River. The vast majority seem to have hired canoes with
native crews, as each of the men in my collection of journals did. So it makes sense
for my protagonist’s family to do the same.
But
here’s the problem. The journals give the impression that the natives were untrustworthy
and lazy. At first glance, it appears to be a stereotype fueled by prejudice.
But maybe it isn’t. The natives’ behavior is a common theme and the narratives
include concrete details. In some cases, the natives weren’t anywhere to be
found at the time contracted for departure. In other cases, they left during a
rest stop and had to be rounded up before proceeding. Sometimes it even took an
extra payment to get them to provide the services they had promised. The native
crews did eventually get the men to their destination, but it was a frustrating
experience for the travelers.
So
here’s my dilemma. Good historical fiction portrays reality, and the reality
appears to be that the natives had a different work ethic than the American and
European gold seekers. If I describe the situation the way the journals do, I
open myself to a charge of prejudice. If I don’t, I open myself to a charge of
altering history. I can’t win.
Or
maybe it isn’t as bad as it seems. My protagonist is a twelve-year-old
workaholic, and I can play into that. My current solution to the dilemma is to
have her father contract for a canoe with a native crew the night before with
the agreement that they will leave first thing in the morning, but they don’t
show up until the afternoon. When Lizzie complains to Pa, he says the natives
have a different culture than the Americans, who are always impatient and
uptight. Then he tells Lizzie that she can learn something from the natives because
she needs to relax more.
That
solution may change with subsequent drafts, but I won’t sacrifice historical
reality to sanitize my story.
__________
The
image at the top of this post shows an 1850 oil painting by Charles Christian
Nahl titled The Isthmus of Panama on the Height of the Chagres River. It
is in the public domain in the United States because of its age.
1 comment:
Well played, Kathryn, to remind readers that we can’t judge other cultures through our own culture’s aesthetic lens!
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